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Vakhtang Sirunyan

 

Original Oil on Canvas
Matera h22 w28.jpeg
Matera
h 22" w 28"
Vivaldi in Venice IV h18.5 w24.jpg
Vivaldi in Venice III
h 18.5" w 24"
ForTheLoveofFlorence(18x22).JPG
For The Love of Florence
h 18" w 22"
Paradise Found h20 w22.jpg
Paradise Found
h 20" w 22"
Art is Everywhere h24.5 w19.5.jpg
Art is Everywhere
h 24.5" w 19.5" with frame
Once Upon a Time h24 w24.jpg
Once Upon a Time
h 24" w 24"
The Dance h21 w19.jpeg
The Dance
h 21" w 19"
Antigona h28 22w.jpg
Antigona
h 28" w 22"
Vivaldi in Venice III h18.5 w24.jpg
Vivaldi in Venice IV
 h 18.5" w 24"
Vivaldi in Venice I h20 w26.jpg
Vivaldi in Venice I
h 20" w 26"
CelebratingLife(23x17).JPG
Celebrating Life
h 23" w 17"
Biography
 
Vakhtang was born in 1968 in Armenia. He graduated from the Yerevan Fine Art and Theatrical Academy. Vakhtang takes his inspiration from the serenity of the late Italian Gothic art and Renaissance painting, which reflect literary myths exalting the intelligence and perfection of man and the ideals of pure beauty, both platonic and humanistic. Vakhtang’s study of the Renaissance masters influenced the creation of his warm and lyrical vision of humanity. In this blending of eras, Vakhtang’s work seems to transcend time itself. Similarly, his style harmonizes the ennoblement of the Renaissance with an Eastern European intensity and grace. As a true fine artist, Vakhtang’s works are created with an independent aesthetic; an emotional and intellectual expression of his soul. The artist has also developed his own process of applying multiple layers of oil to achieve a special texture and depth of colors.
 
Vakhtang’s paintings are in private collections, exhibitions, and museums throughout the world including the Museum of Modern Art in Armenia, the Modern Art Museum of Beirut, and the Armenian Library, and the Museum of America in Watertown, Massachusetts. 
 
His father was an accomplished violinist and his mother a successful musicologist. But Vakhtang has been able to separate himself from the influence of the masters to create his own motif. In his latest works, Vakhtang is able to archive a subtle distribution of light and shadow in which figures and subject matter are portrayed in an atmosphere of intense richness and clarity. His work can be interpreted on many levels as his approach brings different epochs together, often a Renaissance setting with figures whose expressions or attire seem to belong to another time.
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